You can help make internet and computer access a priority in our community. Take this short, anonymous survey about your home internet and computer access. The results will show where our community needs more support. START SURVEY.
Hello blog readers! Allison F and Eric P here to talk to you about something that’s been weighing on us.
So, you say you hate musicals …
Do you really?
Is it the cheesy storylines? Or maybe it’s the way they keep making their characters sing and dance when people don’t really do that. Perhaps they give you a strange, uncomfortable feeling – as if you are embarrassed for the incredibly talented people singing and dancing their hearts out. They look like they’re having the time of their life, but deep down they feel awkward and self-conscious, right? Right?
We get it, musicals are kinda weird. But the thing is, we don’t actually believe you when you say you hate them.
We think maybe you just haven’t discovered the musical that’s right for you.
We think maybe you saw “Fiddler on the Roof” once when you were seven and swore you’d never watch one again. (At an impressionable age, Eric sat through a high school production of “Oklahoma!” in which the title song threatened never to end. It may still be going to this day.)
We think we can convince you otherwise.
So we dare you to keep reading. Let us try and prove to you that musicals are a magical force of fun and excitement just waiting to change your life. Or at least change your mind.
In which the female lead never once questions the disembodied voice that is teaching her to sing and willingly allows herself to be kidnapped and taken into the bowels of Paris’s underground before panicking and realizing something might not be quite right with the dude in the mask.
…Did it work? Is your previous antipathy toward musicals dwindling like the box office returns of “Spider-Man: Turn Off the Dark?” Do you feel a newfound generosity toward the art form swelling in you like the crescendo of an 11 o’clock number?
Or perhaps your indifference remains unchanged. Maybe you still feel as antagonistic toward the stage musical experience as Leslie Odom Jr’s Aaron Burr felt toward Lin-Manuel Miranda’s Alexander Hamilton.”
But that’s okay. It just means we haven’t found the right one for you yet. We’ll be back with another blog post with more suggestions, and we’ll keep coming back until you’ve got jazz hands.
I mean, that high school performance of “Oklahoma!” is still going on somewhere, so anything’s possible.